TAYLOR SU

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<channel>
	<title>TAYLOR SU</title>
	<link>https://taylorsu.info</link>
	<description>TAYLOR SU</description>
	<pubDate>Thu, 16 Apr 2026 06:05:38 +0000</pubDate>
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	<item>
		<title>TAYLOR SU</title>
				
		<link>https://taylorsu.info/TAYLOR-SU</link>

		<pubDate>Thu, 28 Apr 2022 19:14:43 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/TAYLOR-SU</guid>

		<description>
	
	
	Hi! I’m Taylor Su,
a motion designer and illustratorbased in Taipei.︎
	

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MORE WORK ︎︎︎</description>
		
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	<item>
		<title>X-Standard</title>
				
		<link>https://taylorsu.info/X-Standard</link>

		<pubDate>Thu, 16 Apr 2026 06:05:38 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/X-Standard</guid>

		<description>
	&#60;img width="1740" height="350" width_o="1740" height_o="350" data-src="https://freight.cargo.site/t/original/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" data-mid="247267293" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" /&#62;&#38;nbsp; X-Standard


本專案以 RHINOSHIELD 提出的「X-Standard: The New Level of Protection」為核心概念，重新定義防摔標準，將品牌對於防護力與耐用性的堅持轉化為具象且可感知的視覺語言。


X 系列透過多重結構設計，有效分散並吸收衝擊能量，大幅降低裝置內傷風險 。本次視覺則進一步放大這樣的「不可見防護」，透過動態影像建立一套新的感知方式，讓防護不只是功能，而是一種可被理解與感受的標準。


我在專案中擔任動畫師，負責 2D 與 3D 動態之間的整合與串接，並執行 2D 動態設計。透過節奏控制與畫面轉換，將不同維度的視覺元素無縫融合，使產品機能與視覺敘事之間形成一致且流動的體驗。


整體動態語言圍繞「衝擊、吸收、回彈」的物理特性展開，將防護機制轉譯為具有張力與節奏的影像表現。藉由抽象空間與動態結構的建構，視覺不僅傳遞產品性能，更建立 RHINOSHIELD 對於「保護」這件事的全新標準。This project is built around RHINOSHIELD’s concept of “X-Standard: The New Level of Protection,” redefining what protection means by translating the brand’s commitment to durability and impact resistance into a tangible visual language.


At the product level, the X series features a multi-layered structural system designed to disperse and absorb impact, reducing the risk of internal damage . This project extends that idea by making “invisible protection” visible—using motion as a medium to communicate performance in a more intuitive and experiential way.


As an Animator, I was responsible for bridging 2D and 3D motion, as well as producing 2D animation. Through precise timing and transitions, I integrated different visual dimensions into a seamless and cohesive motion system.


The visual language is driven by the physics of impact—compression, diffusion, and rebound—translating protective mechanisms into dynamic, expressive motion. By constructing abstract environments and kinetic structures, the project not only showcases product performance but also establishes a new visual benchmark for protection.


	X-Standard: The New Level of Protection


&#60;img width="223" height="223" width_o="223" height_o="223" data-src="https://freight.cargo.site/t/original/i/611caac63f207fad55cfd2e0b554460dc6ca546e6d496e1aad5c0f08c532c234/airX.png" data-mid="247267408" border="0" data-scale="5" data-no-zoom src="https://freight.cargo.site/w/223/i/611caac63f207fad55cfd2e0b554460dc6ca546e6d496e1aad5c0f08c532c234/airX.png" /&#62; &#38;nbsp; 
AirX - Impact Lab
Ultimate protectionAir Cushion TechnologyTech Aesthetics
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ClearX - Invisible Lab
Reveals the Original DeviceUltimate Impact Protection Clear CaseCrustal-clear TransparencyBare Device Aesthetics
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SolidX - Simplicity Lab
Perfectly Balanced ChoiceTexture &#38;amp; Textile FeelMinimalist Aesthetics


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ROLE: Design and AnimationAnimation
CREDIT:
Designer: Sunny ChenAnimator: Taylor Su3D Animator: Belle Huang, Chenyu Zheng, Ying Liu
	

</description>
		
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		<title>EP1</title>
				
		<link>https://taylorsu.info/EP1</link>

		<pubDate>Sat, 09 Aug 2025 17:17:39 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/EP1</guid>

		<description>
	&#60;img width="1740" height="350" width_o="1740" height_o="350" data-src="https://freight.cargo.site/t/original/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" data-mid="236865564" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" /&#62;Vision Story -&#38;nbsp;
 Plastic Management as Our North Star


🌍 The Hidden Crisis of Phone Cases: From Waste to Revolution
每年有高達 10 億個手機殼最終成為環境負擔，其總重量相當於 80 架 Airbus A380。RHINOSHIELD 帶領觀者深入手機殼產業的幕後，揭示鮮為人知的環境問題，並提出顛覆性的解決方案，對抗塑膠廢棄物的擴散。


在這支具啟發性的影片中，你將看到：


RHINOSHIELD 如何應對三大塑膠挑戰：Legacy、Modern 與 Future
手機配件中潛藏的「殭屍塑膠（Zombie Plastic）」真相
我們在永續產品設計上的創新方法
微塑膠對環境造成的真實影響


從材料創新起家的 RHINOSHIELD，如今正引領對抗塑膠廢棄物的轉變。我們不僅是一家手機殼品牌，更致力於成為永續解決方案的先行者。邀請你一同加入我們的行動，不只保護你的手機，也守護我們共同的地球。🌱


Every year, 1 billion phone cases become environmental threats, equivalent to 80 Airbus A380s in weight. RHINOSHIELD takes you behind the scenes of the phone case industry's dark secret and presents our revolutionary solution to combat plastic waste.
In this eye-opening video, discover:
A sneak peek at how RHINOSHIELD tackles three major plastic challenges: Legacy, Modern, and Future.
The shocking truth about "zombie plastic" in phone accessories.
Our groundbreaking approach to sustainable product design.
The real impact of microplastics on our environment.
As a company that started with materials innovation, we're now leading the change against plastic waste. Learn how we're transforming from a phone case manufacturer into a pioneer of sustainable solutions.
Join us in our mission to protect not just your phone, but our world. 🌱
Discover CircularBlue™ https://circularblue.rhinoshield.io/


	作為影片的主設計師，我根據腳本發想並繪製分鏡，將敘事轉化為清晰的視覺節奏。接著選擇三個關鍵畫面製作風格定調（styleframes），建立整體視覺語言與氛圍。


在風格確立後，我與設計師合作進一步優化畫面細節，並延展完成其餘鏡頭。最終由我負責整支影片的動畫與剪輯，包含節奏掌控、音樂選擇與音效設計，確保作品呈現一致且具吸引力的觀影體驗。As a lead designer of this film, I developed the storyboard based on the script, translating the narrative into a clear visual sequence. From there, I selected three key moments to establish the styleframes, defining the overall visual direction and tone.


Once the styleframes were approved, I collaborated with a designer to refine the visual details and expand the remaining frames. I then led the animation and editing of the entire film, including pacing, music selection, and sound design, ensuring a cohesive and engaging final piece.


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EARLY STYLE EXPLORATION
	
	
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ROLE: Design and AnimationStyleframe, Storyboard, Animation

CREDIT:
Script: Daniel LinCreative Director: Sean TsaiDirector: Taylor SuStoryboard: Taylor SuDesigner: Chieh Lee, Zoe Chen, Katherine Chen, Taylor SuAnimator: Taylor Su3D Animator: Joanne Kao, Max Lee, Yuki Chou


</description>
		
	</item>
		
		
	<item>
		<title>RS-The Tipping Point</title>
				
		<link>https://taylorsu.info/RS-The-Tipping-Point</link>

		<pubDate>Wed, 21 May 2025 06:19:45 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/RS-The-Tipping-Point</guid>

		<description>
	&#60;img width="1740" height="350" width_o="1740" height_o="350" data-src="https://freight.cargo.site/t/original/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" data-mid="233495238" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" /&#62;The Tipping Point: 
From Best Product to Better Planet


'What happens when success reveals a deeper problem?'

在這一集中，我們分享改變 RHINOSHIELD 一切的關鍵時刻——從打造極致防護產品，轉向重新定義我們對地球的使命。


你將看到傳統手機殼產業如同「快時尚」般的運作模式，如何引發大量塑膠廢棄物，以及我們如何在這樣的背景下，走向 CircularNext——一項突破性的永續設計與塑膠管理方案。過程中，我們經歷了各種挑戰與瓶頸，也累積了重要的里程碑，逐步重塑我們對未來十年的想像。在 RHINOSHIELD，我們相信塑膠本身不是敵人，關鍵在於我們如何使用與管理它。


邀請你一同轉換視角，建立可規模化的解決方案，邁向真正的循環未來。

In this episode, we share the pivotal moment that changed everything for RHINOSHIELD: from creating the best impact-protective products to redefining our mission for a better planet.Discover how the traditional phone case industry's "fast fashion" model triggered massive plastic waste, and how our journey led us to CircularNext: a breakthrough in sustainable design and plastic management.
Learn about the challenges we faced, the dead ends we encountered, and the milestones that reshaped the way we envision the next decade.
At RHINOSHIELD, we believe plastic isn’t the enemy—it's how we manage it that matters.
Join us as we shift perspectives, build scalable solutions, and work toward a truly circular future.


	這是一支以「臨界點（tipping point）」為核心概念的品牌影片，探討環境影響從累積到不可逆轉的關鍵時刻。透過視覺化塑膠問題的加劇，帶出 RHINOSHIELD 以材料創新回應此轉捩點的可能性。


我負責將腳本轉化為分鏡，透過風格定調畫面建立整體視覺方向，並主導最終動畫與剪輯製作，包含節奏、音樂與音效剪輯。This is a concept-driven brand film exploring the idea of a “tipping point” — the critical moment when environmental impact becomes irreversible. The project visualizes the escalating plastic crisis and positions RHINOSHIELD’s material innovation as a response to this turning point.


I was responsible for translating the script into storyboard, defining the visual direction through styleframes, and leading the animation and editing of the final film, including pacing, musicand sound effect editing.

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&#60;img width="1000" height="562" width_o="1000" height_o="562" data-src="https://freight.cargo.site/t/original/i/d74821990e6f49c1b1c06411a0fe846c4ddceb5cd1546caa18d0cc2f2e63c9be/RS_EP2_13.gif" data-mid="233495328" border="0"  src="https://freight.cargo.site/w/1000/i/d74821990e6f49c1b1c06411a0fe846c4ddceb5cd1546caa18d0cc2f2e63c9be/RS_EP2_13.gif" /&#62;
&#60;img width="1000" height="562" width_o="1000" height_o="562" data-src="https://freight.cargo.site/t/original/i/8d13707b3c5652f174f0deb207804463cc0ef084bc4e0598c0f0715e971fb74d/RS_EP2_15.gif" data-mid="233495354" border="0"  src="https://freight.cargo.site/w/1000/i/8d13707b3c5652f174f0deb207804463cc0ef084bc4e0598c0f0715e971fb74d/RS_EP2_15.gif" /&#62;
&#60;img width="1000" height="562" width_o="1000" height_o="562" data-src="https://freight.cargo.site/t/original/i/1881b9ff49b715a55c4f0777d4cfe54bfac89eb4014ab8a7bacb145830bb29e1/RS_EP2_16.gif" data-mid="233495377" border="0"  src="https://freight.cargo.site/w/1000/i/1881b9ff49b715a55c4f0777d4cfe54bfac89eb4014ab8a7bacb145830bb29e1/RS_EP2_16.gif" /&#62;


EARLY STYLE EXPLORATION
	
	
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7ab6a14ebe8a9d9e0dbfcb5a5705d2f12c6872373eefe7b15c2cabcb33ff20dc/styleframe_cut10.png" data-mid="233495494" border="0"  src="https://freight.cargo.site/w/1000/i/7ab6a14ebe8a9d9e0dbfcb5a5705d2f12c6872373eefe7b15c2cabcb33ff20dc/styleframe_cut10.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f87286d496b9c485c54347735e9c7a17e13651133dfc1a71e5071bdb8faaa36b/styleframe_01.png" data-mid="233495485" border="0"  src="https://freight.cargo.site/w/1000/i/f87286d496b9c485c54347735e9c7a17e13651133dfc1a71e5071bdb8faaa36b/styleframe_01.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/96d385de6cb45306ef7fb931bf4446a38224bb302535453e269ef3081fb1a4ca/styleframe_cut24.png" data-mid="233495495" border="0"  src="https://freight.cargo.site/w/1000/i/96d385de6cb45306ef7fb931bf4446a38224bb302535453e269ef3081fb1a4ca/styleframe_cut24.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a895331327987beb60eaa65bacafd3dc31ebfdb5696af6df6f34c86ab73f4e09/styleframe_02.png" data-mid="233495487" border="0"  src="https://freight.cargo.site/w/1000/i/a895331327987beb60eaa65bacafd3dc31ebfdb5696af6df6f34c86ab73f4e09/styleframe_02.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d5aea46a1c96b3b4cdba44eeb95efe45b572270e0d5126ed65a41c417acce916/styleframe_03.png" data-mid="233495486" border="0"  src="https://freight.cargo.site/w/1000/i/d5aea46a1c96b3b4cdba44eeb95efe45b572270e0d5126ed65a41c417acce916/styleframe_03.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/52f70460c158916307b2b6808db1b1f13a34679c177269a095a06b752cc95182/styleframe_cut27.png" data-mid="233495490" border="0"  src="https://freight.cargo.site/w/1000/i/52f70460c158916307b2b6808db1b1f13a34679c177269a095a06b752cc95182/styleframe_cut27.png" /&#62;

	
ROLE: Design and AnimationStyleframe, Storyboard, Animation

CREDIT:
Script: Daniel LinCreative Director: Sean TsaiDirector: Taylor SuArt Directorr: Taylor SuStoryboard: Taylor SuDesigner: Chieh Lee, Taylor Su, Zoe ChenAnimator: Taylor Su3D Animator: Joanne Kao


</description>
		
	</item>
		
		
	<item>
		<title>RS-AirX for iPhone17</title>
				
		<link>https://taylorsu.info/RS-AirX-for-iPhone17</link>

		<pubDate>Wed, 24 Dec 2025 08:16:03 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/RS-AirX-for-iPhone17</guid>

		<description>
	&#60;img width="1740" height="350" width_o="1740" height_o="350" data-src="https://freight.cargo.site/t/original/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" data-mid="242124735" border="0" data-scale="29" src="https://freight.cargo.site/w/1000/i/36cafb6ae06dc129798d06e34df2d81093790bebdfc7e33328007cd8b3904bc6/RS_Logo-Black.png" /&#62;AirX for iPhone 17


Internal Damage Protection System

延續 RHINOSHIELD AirX 系列「生活中的科技保護力」核心概念，本專案作為第二波針對 iPhone 17 的產品溝通，進一步深化品牌視覺語言，將 AirX 的防護科技轉化為更具未來感與沉浸感的敘事體驗。


本次視覺以產品為核心，結合 2D 動態設計、3D 視覺與場景建構，並導入 AI 技術輔助生成部分 3D 元素與動態背景，大幅提升畫面生成效率與風格探索的可能性。在科技與影像之間建立更流動的創作方式，使整體視覺呈現更具延展性與一致性。
Building on the core concept of “protection through everyday technology,” this second-wave campaign for the RHINOSHIELD AirX series (iPhone 17) further evolves the brand’s visual narrative into a more immersive and future-forward experience.


The project integrates 2D motion design, 3D visuals, and scene-based storytelling, with AI-assisted workflows applied to parts of the 3D generation and motion backgrounds. This approach expands both creative flexibility and production efficiency, enabling a more cohesive and scalable visual system.


More:&#38;nbsp;︎https://rhinoshield.io/products/airx

ROLE: Design and AnimationDesign, AI , Animation
CREDIT:
Creative Director: Sean TsaiDesigner: Sunny Chen, Taylor SuAnimator: Taylor Su3D Animator: Belle Huang


在專案中，我擔任 2D Animator，負責關鍵動態設計與視覺節奏的建立，將產品特性轉譯為具節奏感與張力的影像語言。透過流動、擴張與回彈的動態表現，呼應 AirX 氣囊防護系統的運作邏輯——在衝擊發生瞬間分散能量並吸收衝擊，強化「看不見的防護」之視覺感知。

整體視覺風格延續系列的未來感與空間感，透過生成式背景與抽象場域，建構出介於真實與虛擬之間的科技場景，進一步放大 AirX 作為新世代防護解決方案的品牌印象。As a 2D Animator, I was responsible for crafting key motion sequences and defining the overall visual rhythm—translating product features into dynamic, expressive visual language. Through expansion, compression, and responsive motion, the animation reflects the behavior of AirX’s air-cushion protection system, visually articulating how impact is dispersed and absorbed in real time. 

The visual direction continues the series’ futuristic aesthetic, combining generated environments and abstract spatial compositions to create a hybrid space between reality and simulation—amplifying AirX’s positioning as a next-generation protection solution.

 
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/623368e7cbb3d44aba379edba0eddfcfe2177e3319a117d3f7c925fcba568129/00.png" data-mid="242137670" border="0"  src="https://freight.cargo.site/w/1000/i/623368e7cbb3d44aba379edba0eddfcfe2177e3319a117d3f7c925fcba568129/00.png" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/36288eb0f17d8dca3b06da1b072f11967ebfb26367196227fbde5efb977f4a00/02.jpg" data-mid="242137566" border="0"  src="https://freight.cargo.site/w/1000/i/36288eb0f17d8dca3b06da1b072f11967ebfb26367196227fbde5efb977f4a00/02.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/3cecea05d18778d5e43f67f72331b9663a3f3670d5125bb25dc7ec3c4ae8a09c/03.jpg" data-mid="242137567" border="0"  src="https://freight.cargo.site/w/1000/i/3cecea05d18778d5e43f67f72331b9663a3f3670d5125bb25dc7ec3c4ae8a09c/03.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/bd6ec6a3df9ddaab0e7805a44c93f08173b5cd748d72601997927dcd1f2efe2c/04.jpg" data-mid="242137568" border="0"  src="https://freight.cargo.site/w/1000/i/bd6ec6a3df9ddaab0e7805a44c93f08173b5cd748d72601997927dcd1f2efe2c/04.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/bba8f47cf3cc4ad2c9ede38e1c3c20c408ee05cee82425837d2fa265224e971f/05.jpg" data-mid="242137569" border="0"  src="https://freight.cargo.site/w/1000/i/bba8f47cf3cc4ad2c9ede38e1c3c20c408ee05cee82425837d2fa265224e971f/05.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/b15df983749786c6b310f3f794e3885d8080eac1ac043bc12282f3c82c9f4ec0/06.jpg" data-mid="242137570" border="0"  src="https://freight.cargo.site/w/1000/i/b15df983749786c6b310f3f794e3885d8080eac1ac043bc12282f3c82c9f4ec0/06.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/193aa10fe30c2c7ff75c4453e06fe5ed936e4b55c9a086ea6f7151eba99fa3e5/07.jpg" data-mid="242137571" border="0"  src="https://freight.cargo.site/w/1000/i/193aa10fe30c2c7ff75c4453e06fe5ed936e4b55c9a086ea6f7151eba99fa3e5/07.jpg" /&#62;
&#60;img width="1080" height="1350" width_o="1080" height_o="1350" data-src="https://freight.cargo.site/t/original/i/6114bedd71680084fd2e963c0658a3ed029ced069959d8a39a6435d139cc6d10/08.jpg" data-mid="242137572" border="0"  src="https://freight.cargo.site/w/1000/i/6114bedd71680084fd2e963c0658a3ed029ced069959d8a39a6435d139cc6d10/08.jpg" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>59th GOLDEN BELL AWARDS</title>
				
		<link>https://taylorsu.info/59th-GOLDEN-BELL-AWARDS</link>

		<pubDate>Mon, 21 Oct 2024 10:52:28 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/59th-GOLDEN-BELL-AWARDS</guid>

		<description>
	59th GOLDEN BELL AWARDS
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/574c36f692b9f422bfad5fe2f91dac6750d209aec22196d4cb212c8630c7c3be/Comp_1s.gif" data-mid="220103370" border="0"  src="https://freight.cargo.site/w/800/i/574c36f692b9f422bfad5fe2f91dac6750d209aec22196d4cb212c8630c7c3be/Comp_1s.gif" /&#62;


	ROLE: Visual Designer,&#38;nbsp;Motion Designer

Aims to build visuals and animations for the 59th Golden Bell Awards, from stitle animations, Lower thirds to the stage background animations.


入圍影片 Title Animations (Design &#38;amp; Animation)- 商品類廣告獎- 非商品類廣告獎- 生活風格節目獎- 生活風節目主持人獎- 電視電影獎-&#38;nbsp; 迷你劇集（電視電影）導演獎
- 戲劇類節目攝影獎 (Collab with 林曉曼 Xiao-Man Lin）入圍影片 Stage Backgound Animations (Animation)- 廣播金鐘特別貢獻獎動態- 節目金鐘已故人舞台背景動態- 戲劇金鐘已故人舞台背景動態- 戲劇類男女主角獎舞台- 迷你劇集（電視電影）男女主角獎舞台

鏡面及轉播框 Lower Thirds&#38;nbsp;(Animation)
- 人名標- 評審團標- 得獎人標- 人名標- 下段預告- 感謝卡- 男女主角開框- 星光大道雙開框


&#38;nbsp;


︎Watch all the title animations:


	59th 廣播金鐘


	59th 節目金鐘

	59th
戲劇金鐘


鏡面 Lower Thirds
Designer: 陳映璇 Aqua ChenAnimator: 蘇暐絜 Taylor Su

 
&#60;img width="800" height="104" width_o="800" height_o="104" data-src="https://freight.cargo.site/t/original/i/e34e7bb446d502fca7cc2f0c33b3589dfbcc338ce05c0b97202f794c185ae41b/01--.gif" data-mid="220103373" border="0"  src="https://freight.cargo.site/w/800/i/e34e7bb446d502fca7cc2f0c33b3589dfbcc338ce05c0b97202f794c185ae41b/01--.gif" /&#62;
&#60;img width="800" height="118" width_o="800" height_o="118" data-src="https://freight.cargo.site/t/original/i/424bfc96643eccd8373c546817e27c4e30c2222d0aa38ebb21e9638eb96713e1/05--.gif" data-mid="220103375" border="0"  src="https://freight.cargo.site/w/800/i/424bfc96643eccd8373c546817e27c4e30c2222d0aa38ebb21e9638eb96713e1/05--.gif" /&#62;
&#60;img width="800" height="143" width_o="800" height_o="143" data-src="https://freight.cargo.site/t/original/i/64c5c8720b985657e232d1d72d4bede55bbd1accaab9e4987ad316dde178f4c6/07--.gif" data-mid="220103377" border="0"  src="https://freight.cargo.site/w/800/i/64c5c8720b985657e232d1d72d4bede55bbd1accaab9e4987ad316dde178f4c6/07--.gif" /&#62;
&#60;img width="705" height="168" width_o="705" height_o="168" data-src="https://freight.cargo.site/t/original/i/4423d4f6b183fbcc0a88184765ab7011fb8280f5613c79dfcbb07c11e3633ad6/06--.gif" data-mid="220103376" border="0"  src="https://freight.cargo.site/w/705/i/4423d4f6b183fbcc0a88184765ab7011fb8280f5613c79dfcbb07c11e3633ad6/06--.gif" /&#62;
&#60;img width="800" height="129" width_o="800" height_o="129" data-src="https://freight.cargo.site/t/original/i/f79f1e85a610ba1e78e34b195a0755f67c5dc6e583a286e3650854aab3d2a532/04-.gif" data-mid="220103374" border="0"  src="https://freight.cargo.site/w/800/i/f79f1e85a610ba1e78e34b195a0755f67c5dc6e583a286e3650854aab3d2a532/04-.gif" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d1f54720dc4181fac93f7de5aae08efb567bca48d7ca3ea028bfe896bb04179e/.png" data-mid="220294333" border="0"  src="https://freight.cargo.site/w/1000/i/d1f54720dc4181fac93f7de5aae08efb567bca48d7ca3ea028bfe896bb04179e/.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3280850c012f1e245c37d700f071e07e48af8a3f191270e9bc3bf9ec7f397241/.png" data-mid="220294332" border="0"  src="https://freight.cargo.site/w/1000/i/3280850c012f1e245c37d700f071e07e48af8a3f191270e9bc3bf9ec7f397241/.png" /&#62;


CREDITS


	&#38;nbsp;Production &#38;amp; Design：二棲設計 27 Design

Director：林呈軒 Cheng-Hsuan Lin

Producer：蔡秉芳 Bing-Fang Tsai、羅嵩博 Sunber Lo

Art Director：陳芊涵 Qian-Han Chen

Animation Supervisor：陳柏尹 Bruce Chen

Designer：
吳奕葳 Yi-Wei Wu、林曉曼 Xiao-Man Lin、陳映璇 Aqua Chen、
陳冠豫 Guan-Yu Chen、黃婕宜 Jie-Yi Huang、詹詠翔 Yung-Hsiang Chan、
廖宜柔&#38;nbsp;Yi-Rou Liao、蔡香蘭&#38;nbsp;Hsiang-Lan Tsai、蘇暐絜 Taylor Su

Animator：
王亭婷 Wuxi Wang、朱柏霖 Bo-Lin Chu、林曉曼 Xiao-Man Lin、
曹岱晴&#38;nbsp;Daiching Tsao、陳冠豫 Guan-Yu Chen、詹詠翔 Yung-Hsiang Chan、
蘇暐絜 Taylor Su、王鵬豪 Peng-Hau Wang、黃嘉俞 Chia-Yu Huang

Compositing：王鵬豪 Peng-Hau Wang

Music &#38;amp; Sound Production：紋聲音樂 WinSound Studio

Original Music Producer：林思妤 Szu-Yu Lin

Sound Design Producer：林孝親 Hsiao-Chin Lin

Original Music &#38;amp; Sound Design：
林孝親&#38;nbsp;Hsiao-Chin Lin、林思妤&#38;nbsp;Szu-Yu Lin 、張立勤&#38;nbsp;Li-Chin Chang

Score Mixer &#38;amp; Dubbing Mixer：林孝親 Hsiao-Chin Lin


</description>
		
	</item>
		
		
	<item>
		<title>KITO - CNN</title>
				
		<link>https://taylorsu.info/KITO-CNN</link>

		<pubDate>Wed, 05 Apr 2023 22:15:10 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/KITO-CNN</guid>

		<description>
	
ALIFE IN FEAR: THE DANGERS OF FINDING LOVE ONLINE AS A QUEER QOMAN IN NNIGIRIACNN AS EQUAL&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/4a60fe8cf92e44c6821b02b842b46844d7532048212abd8ebdb1c93726347f2a/card-image-1.png" data-mid="218180879" border="0"  src="https://freight.cargo.site/w/1000/i/4a60fe8cf92e44c6821b02b842b46844d7532048212abd8ebdb1c93726347f2a/card-image-1.png" /&#62;


	Being a queer woman in Nigerua can mean constantly watching your back, even online.
Abusive induvuduals, gangs and even family members may try to catfish, attack and “convert” you because your sexuality - a practice locally as “kito.”
Eighteen women shared their tramatizing experiences of rape, blackmail, violence and conversion practice. For many, this followed their search for love on the internet.

* Trigger Warnings:This story contains graphic content and may be disturbing.
Editor’s Note: This story is part of Systems Error, a series by CNN As Equals, investigating how your gender shapes your life online. For information about how CNN As Equals is funded and more, check out our FAQs.


READ FULL ARTICLE HERE︎ https://edition.cnn.com/interactive/2024/01/africa/nigeria-gay-women-online-dangers-as-equals-intl-cmd/
	

	CREDITS
Reporters: Adie Vanessa Offiong and Ian WafulaCommissioning Editor: Meera SenthilingamEditor: Eliza AnyangweAnimator: Taylor SuDesigners: David Blood and Taylor SuDevelopers: David Blood and Lucas Seidenfaden
Visual Editor: David BloodArt Director
: Elisa SolinasAudio Editor
: Matt DempseyPhoto Edito : Sarah Tilotta

	&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/8b773b8dce4a27fa93133d95df70e6679020d926d0e7276820c23be0c23129be/videoframe_60.png" data-mid="218181051" border="0"  src="https://freight.cargo.site/w/1000/i/8b773b8dce4a27fa93133d95df70e6679020d926d0e7276820c23be0c23129be/videoframe_60.png" /&#62;


&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/428857411d1b63f30ab709a95b0d5ac2e0dd13a48a7e8e76122c8247caea5f3d/videoframe_300.png" data-mid="218181060" border="0"  src="https://freight.cargo.site/w/1000/i/428857411d1b63f30ab709a95b0d5ac2e0dd13a48a7e8e76122c8247caea5f3d/videoframe_300.png" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/5eb5fe747a75e791f26e32eb688ba4567bea0eba2c213c7caa19576aba6caae1/videoframe_700.png" data-mid="218181069" border="0"  src="https://freight.cargo.site/w/1000/i/5eb5fe747a75e791f26e32eb688ba4567bea0eba2c213c7caa19576aba6caae1/videoframe_700.png" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/f917cd1c021610bcfa3baa1f7450fd4acc349af83f687e09fa886d432df22c79/videoframe_1460.png" data-mid="218181086" border="0"  src="https://freight.cargo.site/w/1000/i/f917cd1c021610bcfa3baa1f7450fd4acc349af83f687e09fa886d432df22c79/videoframe_1460.png" /&#62;
&#60;img width="1280" height="720" width_o="1280" height_o="720" data-src="https://freight.cargo.site/t/original/i/77e605d84a593b732714e876a3e36156e5e0f2782ef57433438a499b8b17ef3b/videoframe_750.png" data-mid="218181078" border="0"  src="https://freight.cargo.site/w/1000/i/77e605d84a593b732714e876a3e36156e5e0f2782ef57433438a499b8b17ef3b/videoframe_750.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>TAKING ON TAYLOR SWIFT</title>
				
		<link>https://taylorsu.info/TAKING-ON-TAYLOR-SWIFT</link>

		<pubDate>Thu, 28 Apr 2022 14:27:00 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/TAKING-ON-TAYLOR-SWIFT</guid>

		<description>
	TAKING ON TAYLOR SWIFT
&#60;img width="2048" height="1108" width_o="2048" height_o="1108" data-src="https://freight.cargo.site/t/original/i/892e6b8d15b46bbabe40ff09b665e9177fc0a538446c55f66dd326b88bffca81/VS--TakingOnTaylorSwiftMax-309.jpg" data-mid="194356010" border="0"  src="https://freight.cargo.site/w/1000/i/892e6b8d15b46bbabe40ff09b665e9177fc0a538446c55f66dd326b88bffca81/VS--TakingOnTaylorSwiftMax-309.jpg" /&#62;

	
	ROLE: Motion Designer

Aims to build show identities and graphics packages, from show opens, transitions, backgrounds, to set and scenic design.


My second project at CNN+ as a Motion Designer was a documentary called Taking on Taylor Swift, which was originally called The Taylor Swift Defense during my time at CNN+. The film dives into&#38;nbsp; Taylor Swift’s&#38;nbsp; copyright infringement lawsuit over her single "Shake It Off," and explore the long music industry history of pirating the work of Black artists. &#38;nbsp; I had a lot of fun exploring the style at the early stage of the project. 


We
chose a vibrant, pop color palette that allows for a glamorous and modern
aesthetic. After making the styleframe, the senior motion designer joined me to create the GFX and&#38;nbsp;MOGRTS for the film.&#38;nbsp;
︎ Trailer

︎Watch it on MAX

	
SELECTED FILMSTILLS


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/5d2733faed14ce6c3864c04040cc5f02f1da5fb58591e39e5256d025708ef9d1/AlbumComparison2.jpg" data-mid="141063668" border="0"  src="https://freight.cargo.site/w/1000/i/5d2733faed14ce6c3864c04040cc5f02f1da5fb58591e39e5256d025708ef9d1/AlbumComparison2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cfd4312dd7e226a97b2c68cc083bb971c2123e68bfe644c516510cf21b8e86e3/AlbumComparison3.jpg" data-mid="141063669" border="0"  src="https://freight.cargo.site/w/1000/i/cfd4312dd7e226a97b2c68cc083bb971c2123e68bfe644c516510cf21b8e86e3/AlbumComparison3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/afc957afd9e16794adbf9eb6ba0c65fd4ddaf3217aee3ece96fcf9d2f190c56e/images1.jpg" data-mid="141063845" border="0"  src="https://freight.cargo.site/w/1000/i/afc957afd9e16794adbf9eb6ba0c65fd4ddaf3217aee3ece96fcf9d2f190c56e/images1.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/459d81f5fae4a9c34c44e2911bfab54fe6a8a9ac67ecb4bfdd725dfd95052579/images5.jpg" data-mid="141063849" border="0"  src="https://freight.cargo.site/w/1000/i/459d81f5fae4a9c34c44e2911bfab54fe6a8a9ac67ecb4bfdd725dfd95052579/images5.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c391bd4f66cc4820c997a1535c6aa8d357dd9ea0c47a27f3ff8cc09f4f7faba3/images3.jpg" data-mid="141063848" border="0"  src="https://freight.cargo.site/w/1000/i/c391bd4f66cc4820c997a1535c6aa8d357dd9ea0c47a27f3ff8cc09f4f7faba3/images3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c861a6d0b192c3472956b8963dec6947717225cf6d66eac438e020537fb09576/Messages4.jpg" data-mid="141064063" border="0"  src="https://freight.cargo.site/w/1000/i/c861a6d0b192c3472956b8963dec6947717225cf6d66eac438e020537fb09576/Messages4.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e45609cbf864bda94fee216f3231da03eba65c2601f257ddff8c4fd1c4e155de/NewsHeadline13.jpg" data-mid="141064249" border="0"  src="https://freight.cargo.site/w/1000/i/e45609cbf864bda94fee216f3231da03eba65c2601f257ddff8c4fd1c4e155de/NewsHeadline13.jpg" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0bc59e022db674efc604a08860a79af80deabb72f13ac2a8c1f8a47a54b69025/SocialMedia3.jpg" data-mid="141064400" border="0"  src="https://freight.cargo.site/w/1000/i/0bc59e022db674efc604a08860a79af80deabb72f13ac2a8c1f8a47a54b69025/SocialMedia3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/1b1a5c89fa81f33b6d3fea7ae24da920ee32eec8f42b35615dc2baf6a0428c7b/SongCredit2.jpg" data-mid="141064403" border="0"  src="https://freight.cargo.site/w/1000/i/1b1a5c89fa81f33b6d3fea7ae24da920ee32eec8f42b35615dc2baf6a0428c7b/SongCredit2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3589022d2eabb2646e317a6f6f48cee78f620fc388b58db6c93fe28c58739758/SongCredit3.jpg" data-mid="141064404" border="0"  src="https://freight.cargo.site/w/1000/i/3589022d2eabb2646e317a6f6f48cee78f620fc388b58db6c93fe28c58739758/SongCredit3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a7506604ccea752c8d7fee8fb6565562c8aeed51711dedd5cc913d63e688164b/NewsHeadline10.jpg" data-mid="141064192" border="0"  src="https://freight.cargo.site/w/1000/i/a7506604ccea752c8d7fee8fb6565562c8aeed51711dedd5cc913d63e688164b/NewsHeadline10.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6563c7670592b89aa26ab407dbb3cf061fabb90f04b2ec6cd3fc98386c286918/ScreenTreatment3.jpg" data-mid="141064283" border="0"  src="https://freight.cargo.site/w/1000/i/6563c7670592b89aa26ab407dbb3cf061fabb90f04b2ec6cd3fc98386c286918/ScreenTreatment3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/07a5dd3dba3e2f96ac509c1e895c8d36457300e604bb92f9bccce20f3161d022/Lyrics2.jpg" data-mid="141064047" border="0"  src="https://freight.cargo.site/w/1000/i/07a5dd3dba3e2f96ac509c1e895c8d36457300e604bb92f9bccce20f3161d022/Lyrics2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/62ff3dffd284fe18a8849c0696695bd40eaa8365f4d832a7ff486f0654f5572c/ArchivalFooatges16.jpg" data-mid="141063718" border="0"  src="https://freight.cargo.site/w/1000/i/62ff3dffd284fe18a8849c0696695bd40eaa8365f4d832a7ff486f0654f5572c/ArchivalFooatges16.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a19b76fdad6b016bd16f7240dbb45864d89ae722258ad81b4531b19d2e57506e/ArchivalFooatges7.jpg" data-mid="141063702" border="0"  src="https://freight.cargo.site/w/1000/i/a19b76fdad6b016bd16f7240dbb45864d89ae722258ad81b4531b19d2e57506e/ArchivalFooatges7.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ba4dd3910f48e7f5e2a794f72279bf9ec90c049af318784e36d423a0d2c46e95/LowerThird13.jpg" data-mid="141064023" border="0"  src="https://freight.cargo.site/w/1000/i/ba4dd3910f48e7f5e2a794f72279bf9ec90c049af318784e36d423a0d2c46e95/LowerThird13.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/16b3fef3a59d702d94b651c59269b986f4397369f523a22e8489ea611df75641/LowerThird1.jpg" data-mid="141063951" border="0"  src="https://freight.cargo.site/w/1000/i/16b3fef3a59d702d94b651c59269b986f4397369f523a22e8489ea611df75641/LowerThird1.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/345025534af918c8889d660bc57a234acc19ae1587331c450cc56786d9f6ff0d/Courtsey5.jpg" data-mid="141063795" border="0"  src="https://freight.cargo.site/w/1000/i/345025534af918c8889d660bc57a234acc19ae1587331c450cc56786d9f6ff0d/Courtsey5.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/92397e553e96fb6a61764dae2ecbe0574a703187a325b06eed7fb468bc10717e/Locator2.jpg" data-mid="141063912" border="0"  src="https://freight.cargo.site/w/1000/i/92397e553e96fb6a61764dae2ecbe0574a703187a325b06eed7fb468bc10717e/Locator2.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/aadc6a5f0a557815c73c104257421c19b3f43f40d2ef3c31218048d3606509da/220420_THE_TAYLOR_SWIFT_DEFENSE_FORMEDIA_SCREENER-poster-52.jpg" data-mid="141064309" border="0"  src="https://freight.cargo.site/w/1000/i/aadc6a5f0a557815c73c104257421c19b3f43f40d2ef3c31218048d3606509da/220420_THE_TAYLOR_SWIFT_DEFENSE_FORMEDIA_SCREENER-poster-52.jpg" /&#62;

	
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/330472acdc28f78ce0bd6923537979bcb9256f12bdaf61fa9feeeb9015012088/title.gif" data-mid="141107468" border="0"  src="https://freight.cargo.site/w/800/i/330472acdc28f78ce0bd6923537979bcb9256f12bdaf61fa9feeeb9015012088/title.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/dd5eb54f33cd659681af5f270ebcdd9b1f621e37a0c3b490212e1d097655f03d/album.gif" data-mid="141107455" border="0"  src="https://freight.cargo.site/w/800/i/dd5eb54f33cd659681af5f270ebcdd9b1f621e37a0c3b490212e1d097655f03d/album.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/16b5f7ec550b68b32d8f160d69267fda03458a66377c9c3f9959ff7a614ccfc1/photo.gif" data-mid="141107464" border="0"  src="https://freight.cargo.site/w/800/i/16b5f7ec550b68b32d8f160d69267fda03458a66377c9c3f9959ff7a614ccfc1/photo.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/dd203b0e0840848b069b23c5c67c2fb0d65770481a0435015b0c3d93c4fb28e6/credit.gif" data-mid="141107460" border="0"  src="https://freight.cargo.site/w/800/i/dd203b0e0840848b069b23c5c67c2fb0d65770481a0435015b0c3d93c4fb28e6/credit.gif" /&#62;
&#60;img width="800" height="450" width_o="800" height_o="450" data-src="https://freight.cargo.site/t/original/i/347bb3f0471aa3dda9875d123c60b9d0e54c2f3136508c768e7b5972c3da4087/tweet.gif" data-mid="141107472" border="0"  src="https://freight.cargo.site/w/800/i/347bb3f0471aa3dda9875d123c60b9d0e54c2f3136508c768e7b5972c3da4087/tweet.gif" /&#62;


EARLY STYLE EXPLORATION
We had a chance to really explore the styles at the early stage of the process, played with&#38;nbsp;


a
vibrant color palette that subtly nods to 90s hip hop nostalgia.
 

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/10975f24023635182bdc383fff5deb8b393bdef6daa371eb145c90a09f2b1eff/TitlecardV3-01.png" data-mid="141078435" border="0"  src="https://freight.cargo.site/w/1000/i/10975f24023635182bdc383fff5deb8b393bdef6daa371eb145c90a09f2b1eff/TitlecardV3-01.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/26fda1c006e4ae767d8b67384fd6006083a5583ff39ea58cecfd8c3c1af000e9/PopMusicV3.png" data-mid="141078434" border="0"  src="https://freight.cargo.site/w/1000/i/26fda1c006e4ae767d8b67384fd6006083a5583ff39ea58cecfd8c3c1af000e9/PopMusicV3.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/0a4b070e5c3754e081ecfe1a7dc83e584b209ac446f93c1ce94d40fe4ff7b2c6/stleframe-04.png" data-mid="141078619" border="0"  src="https://freight.cargo.site/w/1000/i/0a4b070e5c3754e081ecfe1a7dc83e584b209ac446f93c1ce94d40fe4ff7b2c6/stleframe-04.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e9a6672440941f972d5f1f5a9dbcd06ddad4c3076c5c841ca7d83a1b76d708f6/stleframe-06.png" data-mid="141078621" border="0"  src="https://freight.cargo.site/w/1000/i/e9a6672440941f972d5f1f5a9dbcd06ddad4c3076c5c841ca7d83a1b76d708f6/stleframe-06.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/7ecff0bba851ae59c439c7654f26ccd84ddc88b2c75b527b872c1a0b06259400/stleframe-05.png" data-mid="141078620" border="0"  src="https://freight.cargo.site/w/1000/i/7ecff0bba851ae59c439c7654f26ccd84ddc88b2c75b527b872c1a0b06259400/stleframe-05.png" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/02e0720bafab9a9271f20a829a35fc9ad2d36d72916cd7717934704f333a4b16/TitlecardV3-02.png" data-mid="141078437" border="0"  src="https://freight.cargo.site/w/1000/i/02e0720bafab9a9271f20a829a35fc9ad2d36d72916cd7717934704f333a4b16/TitlecardV3-02.png" /&#62;


CREDITS


	Executive Producer
Senior Producer 
Supervising Producer
Senior Editorial Producer
Director of Production 
Producers&#38;nbsp;
Editors
Directors of Photography
Editorial Producer


Field Producers
Production Assistants

Assistant Editors
Senior Producer
Producers

Editor 


Editorial Producer
Field Producers


Production Assistants
Assistant Editor
Editorial Production Assistant
Line Producer 
Production Managers
Production Coordinators
Directors of Photography
Camera Operators

Assistant Camera

Sound Recordists


Grips
Gaffer
Field Production Assistant
Creative Director
Art Director
Senior Motion Designer
Motion Designer

Senior Manager, Post Production Operations
Post Production SupervisorSenior Manager, Media Operations Media ManagerColorist Sound SupervisorSound MixerProduction Managers, Digital Video OperationsExecutive Producer

	Eric Johnson

Jeff L. Lieberman

Emily Taguchi

 Kelley Robinson

Kinga Janik
Thaddeus Morgan,&#38;nbsp;Rebecca Mulford

Abhinav Bhat, Tat Ho Yee, Tine
Ian McGlocklin, David Givens

 Nicole Mastrangelo

Sarah PrazmarK, Urmi Chatterjee

 Fatoumata Ceesay, Rafa Farihah, Elijah Banks
Persis Rao, Dominic Torres
Nathaniel Stevens,&#38;nbsp;Meranda Yslas

 Ashley Santoro

Gregory Blanc, Hannah Jiang, Abby Lieberman
Adrienne Magun, Michael Orr, Alice Yu

Niels Dachler

Rachel Wenzlaff

Brianna Dunkers-Brown, Ayanna Gill
Julio David González, Bree Nieves
Becca Porath, Gabriel Rivera

Nathan Bloom, Shayna Jenkins, Candice Peterkin

 Laura Joffrion
Nain Ladak

Dan Rafeld

Saul Arvelo, Nicole Azevedo

 Ross Ehrlich, Gerald Kitsis

Richard Bakewell, Stephen Mucci
Patrick Dupree, Karl Kim
Edward Martinez, Kristian Melom
Matthew Caudillo, Christopher Ide&#38;nbsp;
Kyle Leonard, Aaron Rosene

Karen Langley, Ronald Lehr, Roy Marasigan
Fiona McBain, Daniel S. McCoy, Steve Tejada

Joe Ahrends, Caleb Wall
Stephen Grum

Sophia De La Rosa

Padraic Driscoll
Courtney Wells
Caresse Haaser
Taylor Su, Jackie Moreno

Dylan Osborn
 Akura Marshall
Bryan Nelson
 Michael Milea
Dan Edwards
Dan Dzula
Matt Rocker
Ben Evans, Nick Godsell
Katie Hinman


Additional Materials From
Getty
ImagesPond5Adobe
Stock
Andrew
Orth Photos


The Concert
for Bangladesh - 20th Century StudiosThe
United States Court of Appeals for the Ninth Circuit


© 2022 Cable
News Network, Inc.


All rights reserved.


</description>
		
	</item>
		
		
	<item>
		<title>WHERE SHOULD I LIVE</title>
				
		<link>https://taylorsu.info/WHERE-SHOULD-I-LIVE</link>

		<pubDate>Tue, 02 Jul 2024 10:50:39 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/WHERE-SHOULD-I-LIVE</guid>

		<description>
	WHERE SHOULD I LIVE


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/9c0ce9d1f7dd45604ee6d88f121a4164555d64184f98977b4136710db999dc37/homepage_desktop_loop.gif" data-mid="213975215" border="0"  src="https://freight.cargo.site/w/1000/i/9c0ce9d1f7dd45604ee6d88f121a4164555d64184f98977b4136710db999dc37/homepage_desktop_loop.gif" /&#62;ROLE: Motion Designer, Illustrator

Do you want to live in a city 🏙? Do you want to move as far away as possible 🏃‍♂️? How about somewhere less hot 🥵? And what kind of impact does the risk of natural disasters have 🌪?
︎Webiste:
&#38;nbsp;https://edition.cnn.com/interactive/2024/us/where-to-live-best-place-dg/
	
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SELECTED SCREEN RECORDING


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EARLY STYLE EXPLORATION
We had a chance to really explore the styles at the early stage of the process, played with 


a
vibrant color palette.
 

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CREDITS

	
By Curt Merrill, Renée Rigdon, Tal Yellin, Henrik Pettersson, Matt Stiles and Taylor Su, CNN


© 2024 Cable
News Network, Inc.
All rights reserved.


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	<item>
		<title>Artificial Surf - CNN sport</title>
				
		<link>https://taylorsu.info/Artificial-Surf-CNN-sport</link>

		<pubDate>Wed, 05 Apr 2023 21:44:07 +0000</pubDate>

		<dc:creator>TAYLOR SU</dc:creator>

		<guid isPermaLink="true">https://taylorsu.info/Artificial-Surf-CNN-sport</guid>

		<description>
	

Are artificial surf parks ready for professional competition?
CNN Sports
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/b2784ffb37e8d6b7255b8454ccde1b78946e502b3993d63b7f15de01b9f04de4/Styleframe01_V1.png" data-mid="174395440" border="0"  src="https://freight.cargo.site/w/1000/i/b2784ffb37e8d6b7255b8454ccde1b78946e502b3993d63b7f15de01b9f04de4/Styleframe01_V1.png" /&#62;
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&#60;img width="1000" height="563" width_o="1000" height_o="563" data-src="https://freight.cargo.site/t/original/i/d075c9f3f8156582b1d516468ad9b22383648aec27e025a951efd584338cef08/FutureOfSport_Artificialwave_220621.gif" data-mid="174394195" border="0"  src="https://freight.cargo.site/w/1000/i/d075c9f3f8156582b1d516468ad9b22383648aec27e025a951efd584338cef08/FutureOfSport_Artificialwave_220621.gif" /&#62;
&#60;img width="1000" height="563" width_o="1000" height_o="563" data-src="https://freight.cargo.site/t/original/i/1182a677494ea46d3a6d24e4f4edad2ef3eb62d45455848cbcbbf2a2424d73ca/FutureOfSport_Artificialwave_220622.gif" data-mid="174394196" border="0"  src="https://freight.cargo.site/w/1000/i/1182a677494ea46d3a6d24e4f4edad2ef3eb62d45455848cbcbbf2a2424d73ca/FutureOfSport_Artificialwave_220622.gif" /&#62;


	CREDITProducer: Sandy Thin

Designer: Woojin Lee

Motion Designer: Taylor SuArtificial wave parks have been steadily growing in popularity since the 1980s, but only recently has the technology developed to a point where the waves are big enough to surf. CNN visits Wavegarden's top secret test facility in Northern Spain to see if its waves are ready to host elite surf competitions.04:59 - Source: CNN

FULL ARTICLE/VIDEO︎ Official Website
	

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